R.E.M.
Shoreline Amphitheater, Mountain View CA
May 16, 1995

-a 'teddy ballgame' DAT Master

recording info:
Schoeps Mk4 > RMOD > D7 DAT Master @ 16bit/48kHz

processing:
DAT Master > tascam da45-hr > sd usbpre2 > adobe audition > cdwav > tlh flac 8

these are 16bit/48kHz flac files

01. I Don’t Sleep, I Dream
02. What’s The Frequency, Kenneth?
03. Crush With Eyeliner
04. Near Wild Heaven
05. Disturbance At The Heron House
06. Try Not To Breathe
07. You
08. Turn You Inside Out
09. Strange Currencies
10. Revolution
11. Tongue
12. Man On The Moon
13. Country Feedback
14. Half A World Away
15. Losing My Religion
16. I Took Your Name
17. Departure
18. Get Up
19. Orange Crush
20. Star 69
21. Let Me In
22. Everybody Hurts
23. Bang And Blame
24. Wichita Lineman
25. Finest Worksong
26. It’s The End Of The World As We Know It



Timeline notes: Michael loses his concentration a few seconds into 'Let Me In', the song stops, he apologises then they start again right away.

Notes:
-After D@THH MM asks if everyone has their sandwiches, I'm not sure of the reference here.  MS adds if he were musical director for the end of the world party he would tap Sonic Youth to close it out.
-After Try Not To Breathe MS teases BB "How you doin' Bill?  Well you look fine to me.'
-After Tongue, MS is discussing his lyric sheets "I never liked Frank Sinatra and I never will".  He goes on to admit "I had three months to memorize them but i jerked off the whole time instead".  He then rambles on about Andy Kauffman for a bit.
-After Strange Currencies, MS claims someone put amphetamines in his beer.
-Country Feedback is introduced by MS as "Me & Bill's favorite song".
-MS again jokes about having written LMR recently and while in the area.
-MS indicates Wichita Lineman is a spur-of-the-moment decision
-Slide guitar on Finest Worksong I haven't noticed that before.

Grade: A
-TB master on HD, CDR is UDG