19 August 1987
40 Watt Club, Athens, GA
supporting: Silent Peas
01. Finest Worksong
02. Welcome To The Occupation
03. The One I Love
04. Begin The Begin
05. Orange Crush
06. Disturbance At The Heron House
07. Title
08. Superman
encore:
09. It's The End Of The World As We Know It (And I Feel Fine)
Timeline notes: Silent Peas show. R.E.M. perform unannounced as a supporting act, & the live debut of 'Orange Crush' features a totally different vocal arrangement, with Stipe just singing/rambling various army and war statements etc. Mike Mills & Bill Berry's usual backing vocal is not present in this version. Mike Mills thanks the Silent Peas for letting R.E.M. open the show for them.
Notes:
-MM cautions "we don't kow this" before ITEOTWAWKI, and he is right.
Grade: A
-soundboard
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R.E.M.
19 August 1987 and 03 September 1987
40 Watt Club
Athens, GA
via JEMS Archive
Lineage for both recordings: first-gen cassette > DAT 32khz > iZtotope RX master, clean-up and convert to 44.1>Adobe Audition>FLAC via Trader's Little Helper
19 August:
01_intro
02_Finest Worksong
03_Welcome to the Occupation
04_The One I Love
05_Begin the Begin
06_Orange Crush
07_Disturbance at the Heron House
08_Title
09_Superman
10_It's the End of the World As We Know It (And I Feel Fine)
[original text modified, 03 September setlist omitted here]
R.E.M.:
Bill Berry (drums, vocals)
Peter Buck (guitar)
Mike Mills (bass, vocals)
Michael Stipe (vocals)
Before Rolling Stone magazine proclaimed them "America's Best Rock and Roll Band," R.E.M. were hard at work on earning exactly that honor. Their fifth LP, "Document," would propel "The One I Love" to number 9, and a U.S. tour would follow a shorter one in Europe. Before work, however, they stopped in twice to play unannounced sets at the 40 Watt Club in Athens, Georgia.
Opening first for Silent Peas and then Smokin' Dave and the Premo Dopes, R.E.M. previewed songs from the new album, ran through familiar ones, and even tried a few they hadn't finished. The music for "Orange Crush" is settled, but its lyrics aren't; "The One I Love," a 1986 tour staple, featured a new guitar-and-voice intro on the second night; and the still-mysterious "Title" makes both sets. Six songs floated in and out over the two appearances.
Soundboard versions of these shows circulate, though with some diginoise. Butterking took a shine to the first-generation audience recordings, made, we believe, with a portable cassette deck with a built-in mic. That made us think of Jared's adage that "a tape is better than no tape." The exception here is that both nights sound quite good. We applaud the taper not only for his second night request of the ultra-rare "Radio Free Lightnin' Hopkins," but also for his quick rejoinders to passersby who tried to interfere with recording duties. Jared would get a hearty laugh from these now, just as he did when he got these tapes some time ago. And it's a laugh we think of often.
A final note: typically, recordings that have been converted to 32 khz don't appear on DIME. We ran the particulars by DIME moderators ahead of time, and they kindly granted a waiver. Thank you, mods, for helping us get this out to fellow fans and collectors.
On behalf of my great friends at JEMS, we hope you enjoy this!
- slipkid68